Joachim Beens is a contemporary visual artist currently working and living in Helsinki, Finland
Apart from the history of art and traditions of painting itself, I've always been inspired by video games. Not only as a means of escapism, but as a reflection of reality. The latter it shares with all art, but mostly with painting - the construction, translation, or simulation of reality on a two-dimensional surface.
I usually don't directly take from video games. What's important are not the images that are generated, but how they are generated; what techniques are used in 3d computer graphics. Many techniques correspond to those used in painting. In my work, I combine these two diverging fields that both construct a virtual world.
My reference material often is random - photographs of textures I find weirdly fascinating, pictures I find on the internet or in books, objets trouvés - and it's the history and tactility of the subject, and the technical possibilities of its translation that trigger my work.
Computer Generated Images are mostly projected unto flat surfaces, but consist of flat surfaces, too. A painting can be a simulacrum of a single object, as well as a representation of several objects. As an example, a door in a virtual environment can be a simple rectangular polygon with an image of a door mapped unto it, whereas a door-sized painting of a door could be mistaken for a real one.
The effect is often theatrical, as it undermines the nature of materiality and function, like props taken out of context.
These parallels have consequences for the reading of images. They put an emphasis on the character of the image, and its frame.
Reversely, through videos and animations I emphasize the crudeness and fallibility of digital reconstructions - a more playful and erratic practice that emphasizes the obscure symbolism of CGI and the fallacy of virtual realism.
Sint Lucas University College of Art and Design, Antwerp, Belgium
Establishment/organization art collective Raumte
Koninklijke Academie voor Schone Kunsten Antwerpen (KASKA, Royal Art Academy of Antwerp), Belgium
Artez University of the Arts, Zwolle, The Netherlands
|with Charlotte van Renterghem, Maika Garnica, Ilja Kleinjans, Saori Kuno, Mathias Prenen, Winnie Claessens, Sanne Vaassen, Olivier Goethals|
|Out of the Blue|
|Greylight Projects||Hoensbroek, Belgium||2017|
|Please Let Me Die Already|
|Kvit gallery||Copenhagen, Denmark||2016|
|with Joakim Almroth, Erdal Bicili, Eva Zar, Peter Phobia, Yannick Val Gesto, Graeme Arnfield, Magnus Humle|
|Van Gogh museum||Amsterdam, the Netherlands||2015|
|with Winnie Claessens, Kelvin Pater, Isadora Tomasi, Tobia Tomasi, Leslie Bell|
|De Gemene Deler | The Common Denominator|
|Hole of the Fox||Antwerp, Belgium||2015|
|with Arnaud De Wolf, Saskia van der Gucht|
|Correction Lines (Secondary Narratives)|
|with Frederiek Weda, Raumte|
|If it Fits in it Goes On|
|Have You seen this Exhibition?|
|Kunstvlaai||Amsterdam, the Netherlands||2014|
|But I'm a Lousy Conformist So I Put it Here|
|Lokaal 01||Antwerp, Belgium||2014|
|with Pieter Jennes, Maxime Peeters, Valérie De Ghellinck, Mathias MU, Yasmine van der Rauwelaert, Dennis Ramaekers, Karolien Chromiak, Karina van Leengoed, Alex Herzog, Kylian van der Have, Jonathan Huygens, Winnie Claessens, Karina Beumer, Liesje de Laet|
|Marion de Cannière||Antwerp, Belgium||2014|
|with Winnie Claessens, Jonathan Huygens|
|What Do you Mean What Does it Mean|
|Extra City||Antwerp, Belgium||2013|
|Language is not Transparent|
|Objectif Exhibitions||Antwerp, Belgium||2013|
|with Maarten Davidse, Jane Coppin, Charlotte Koenen, Barbara Elisabeth Schoch|